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It is very exciting seeing Romeo & Juliet rehearsal in full swing at @CincinnatiBallet. Abigail Maruna Morwood, Corps de Ballet dancer

It is very exciting seeing Romeo & Juliet rehearsal in full swing at @CincinnatiBallet.
Abigail Maruna Morwood, Corps de Ballet dancer

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Summer 2011 the Flood Wall Jazz Quintet at the Bandshell for the KSO’s Summer Series in Devou.

Summer 2011 the Flood Wall Jazz Quintet at the Bandshell for the KSO’s Summer Series in Devou.

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Romeo & Juliet is transcendent, a true love story for the ages. Anthony Krutzkamp and Janessa Touchet, Principal Dancer Photography: Peter Mueller

Romeo & Juliet is transcendent, a true love story for the ages. Anthony Krutzkamp and Janessa Touchet, Principal Dancer Photography: Peter Mueller

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Congratulations to Brent Vimtrup and Andrew Hungerford on their League of Cincinnati Theatres award nominations. Brent was nominated as lead actor, and Andrew for his lighting design. via Cincinnati Shakespeare Company

Congratulations to Brent Vimtrup and Andrew Hungerford on their League of Cincinnati Theatres award nominations. Brent was nominated as lead actor, and Andrew for his lighting design. via Cincinnati Shakespeare Company

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We love behind the scenes shots of stages transforming into new sets. This one is for Playhouse in the Park’s world premiere of ABIGAIL/1702!

We love behind the scenes shots of stages transforming into new sets. This one is for Playhouse in the Park’s world premiere of ABIGAIL/1702!

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Zurburan’s St. Peter Nolasco Recovering the Image of the Virgin was getting ready for its close-up over the holidays at the Cincinnati Art Museum. The very large painting has been off-view for some time while undergoing treatment in the Conservation lab. In the past year or so it has been cleaned of old discolored varnishes, overpaint and retouching by Daniela Leonard, a paintings conservator here on a fellowship funded by the Kress Foundation. Daniela inpainted, or retouched within, the small damages and abrasions on the painting with stable and reversible conservation paints, before she moved on to an exciting new fellowship at the Art Institute of Chicago. All that remained to do for St. Peter Nolasco was to apply a final varnish and a bit more inpainting. Here the painting and lab evacuation trunks are readied for a brush coat of conservation-grade varnish.

Zurburan’s St. Peter Nolasco Recovering the Image of the Virgin was getting ready for its close-up over the holidays at the Cincinnati Art Museum.

The very large painting has been off-view for some time while undergoing treatment in the Conservation lab. In the past year or so it has been cleaned of old discolored varnishes, overpaint and retouching by Daniela Leonard, a paintings conservator here on a fellowship funded by the Kress Foundation.

Daniela inpainted, or retouched within, the small damages and abrasions on the painting with stable and reversible conservation paints, before she moved on to an exciting new fellowship at the Art Institute of Chicago. All that remained to do for St. Peter Nolasco was to apply a final varnish and a bit more inpainting. Here the painting and lab evacuation trunks are readied for a brush coat of conservation-grade varnish.

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Frisch’s Presents The Nutcracker. Which scene is your favorite? The Snow Scene is one of the most elegant moments, with dancers swirling and twirling to create a hurricane of snowflakes. Photography: Peter Mueller

Frisch’s Presents The Nutcracker. Which scene is your favorite? The Snow Scene is one of the most elegant moments, with dancers swirling and twirling to create a hurricane of snowflakes.

Photography: Peter Mueller